Vol. 2 No. 1 (2021): July 2021

ARTICLES

• REDEFINING THE ORIENT: EDWARD SAID AND BUCHI EMECHETA'S SECOND CLASS CITIZEN REDEFINING THE ORIENT: EDWARD SAID AND BUCHI EMECHETA'S SECOND CLASS CITIZEN

  ELÇİN AYAKAN

  1-21

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• MCEWAN’IN AMSTERDAM’DA DÜELLO ROMANINDA AHLAKİ İKİLEM ve İNTİKAM DUYGUSU

  ERCAN GÜROVA

  22-34

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• DEHUMANIZATION IN SARAH KANE'S POSTMODERN PLAYS

  GÜL KURTULUŞ

  35-56

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• DINO BUZZATI – TATAR ÇÖLÜ İSİMLİ ESERİNDE İŞLENEN GERÇEKÜSTÜ TEMA

  İLHAN KARASUBAŞI

  57-64

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• HETEROTOPIA AND ALIENATING LIMINAL SPACES IN ULYSSES’ DUBLIN

  MARYAM NAJAFIBABANAZAR

  65-79

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• WAS THERE A POSTMODERNISM?

  MEHMET ALİ ÇELİKEL

  80-95

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• THE REPRESENTATION OF HUMOUR IN WOMEN’S TRAVEL WRITING RODRIGUEZ’S THE KABUL BEAUTY SCHOOL (2007), GRIMSHAW’S FROM FIJI TO THE CANNIBAL ISLANDS (1907) AND SELECTED HAREM NARRATIVES

  MİNE SEVİNÇ

  96-109

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• HAUNTOLOGICAL CRISES OF IDENTITY, MEMORY, AND PERSONAL HISTORY IN TOM STOPPARD’S ROSENCRANTZ AND GUILDENSTERN ARE DEAD

  NESLİHAN ŞENTÜRK UZUN

  110-124

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• THE ETERNAL RESURRECTION OF MODERNITY

  RACHAD CHAFIK ELIDRISSI

  125-134

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• RECONFIGURING BOURDIEU'S CONCEPT OF THE FIELD ANTHOLOGIES AS A CASE STUDY

  RANA ELBOWETY

  135-150

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• UNDER THE SAME ROOF: RECONCILIATION OF THE OPPOSITE ENDS IN E. M. FORSTER’S HOWARDS END

  SEÇİL ERKOÇ

  151-163

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• AFFIRMATIVE BIOPOLITICS THROUGH THE ANALYSIS OF HOLOCAUST NARRATIVES A LOOK AT FOUCAULT AND AGAMBEN

  SEL ERENSAL

  164-175

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• REINTERPRETING THE DILEMMA OF THE FUTURIST-MODERNIST NARRATOR IN MINA LOY'S "APHORISMS ON FUTURISM"

  TUĞBA KARABULUT

  176-198

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• ANALYSIS OF FORMULAIC EXPRESSIONS FORMED BY RELIGION IN THE CONTEXT OF BİR BAŞKADIR TV SERIES

  ZEYNEP ALTUN

  199-214

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• KİTAP DEĞERLENDİRMESİ: MODERNİTEDEN POSTMODERNİTEYE KAVRAMSAL BİR YOLCULUK ADLI ESERE GENEL BİR BAKIŞ

  FATMA NUR YILMAZ

  215-227

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